RRP $189

 

Vocal & instrument mic, full, clear sound with slight bass proximity, for small to mid-size PA systems.

Designed, assembled and tested by Audix in the USA, the OM2 is a dynamic vocal microphone used for a wide variety of live and studio applications. The OM2 is known for its clear and accurate sound reproduction, resistance to feedback and ability to handle very high sound pressure levels without distortion.

The OM2 is characterized with a tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM™ (Very Low Mass) diaphragm for natural sound with exceptional transient response.

The OM2 is designed with slight bass proximity and a tailored mid-range, giving it a full bodied sound on small to mid-size PA systems. The OM2 is well balanced, comfortable to hold, durable and manufactured with high standards and tight tolerances.

Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and heavy duty nylon clip.

 

Audix OM3

RRP $255

Designed, assembled and tested by Audix in the USA, the OM3 is a dynamic vocal microphone used for a wide variety of live, studio and broadcast applications. The OM3 is known for its clear and accurate sound reproduction, resistance to feedback and ability to handle very high sound pressure levels without distortion.

The OM3 is characterized with a tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz - 18 kHz, the OM3 employs a VLM™ (Very Low Mass) diaphragm for a clean and natural sound with exceptional transient response.

The OM3 is naturally attenuated in the lower mid-bass frequencies in order to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes the OM3 an excellent choice for PA systems of all sizes. The OM3 is well balanced, comfortable to hold, durable and manufactured with high standards and tight tolerances.

Audix OM5

RRP $369

Vocals, lead & backing, with very tight pattern control. Exceptional for premium PA systems.

Designed, assembled and tested by Audix in the USA, the OM5 is a dynamic vocal microphone used for stage, studio and broadcast applications. The OM5 is known for its clarity, resistance to feedback and ability to handle sound pressure levels in excess of 144 dB without distortion.

The OM5 is characterized with an extremely tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction and exceptional transient response.

Audix OM 6

RRP$442

 

 Vocals, lead & backing, with very wide & flat frequency response for premium PA systems.

Designed, assembled and tested by Audix in the USA, the OM6 is a dynamic vocal microphone used for a wide variety of live, studio and broadcast applications. The OM6 is known for its broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high sound pressure levels in excess of 144 dB without distortion.

The OM6 is characterized with a tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 40 Hz - 19 kHz, the OM6 employs a VLM™ (Very Low Mass) diaphragm for a clean and natural sound with exceptional transient response.

The OM6 response is tailored with condenser-like qualities: a smooth rising response between 2k Hz - 10 kHz along with a flat and fully extended bass response from 60 Hz - 1 kHz. This, in conjunction with an extremely articulate mid-range makes the OM6 an excellent choice for broadcast and live recording applications. The OM6 is well balanced, comfortable to hold, durable and manufactured with high standards and tight tolerances.

 

Audix OM7

RRP$460

 

Designed for touring PA system with maximum gain before feedback in monitors

Designed, assembled and tested by Audix in the USA, the OM7 is a dynamic vocal microphone used for professional sound companies, front of house and mixing engineers, and high profile fixed installations. The OM7 is known for its ability to provide unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the OM7 is very resistant to feedback on extremely loud stages, and for performers who tend to “cup” the microphone with both hands.

In order to achieve these extraordinary performance benefits, the OM7 is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low gain stage acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. For this reason, the OM7 is best suited for use with high quality mixing consoles with plenty of head room to compensate for the low gain.

The OM7 is characterized with a super-tight hypercardioid polar pattern which effectively isolates the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM7 employs a VLM™ (Very Low Mass) diaphragm for a very clean and punchy sound with exceptional transient response.

  

Audix OM11

RRP$510

 

Lead vocal with mid-range presence, great for rock & roll

The OM11 is a re-issue of the original OM1, a hand-made microphone first issued in 1985. Designed, assembled, machined, and tested by Audix in the USA, the OM11 is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications. The OM11 is known for its sharp, crisp vocal sound, resistance to feedback and ability to handle high sound pressure levels without distortion.

The OM11 is characterized with a tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz - 18 kHz, the OM11 employs a VLM™ (Very Low Mass) diaphragm for a very clean and natural sound with exceptional transient response.

The OM11 response is tailored to cut through the mix, providing presence and articulation to the vocals even at very high stage volumes. In addition to having extremely low handling noise, the OM11 is well balanced, comfortable to hold, durable and manufactured with very high standards and tight tolerances.

 

Audix i5

RRP $209

 

Multi-purpose dynamic microphone with clear accurate sound.

Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech.

 

The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. 

Audix D2

RRP$270

 

Ideal for rack toms, floor tom, congas and horns. Slight mid-bass boost.

Designed, machined, assembled and tested by Audix in the USA, the D2 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D2 is lightweight, compact and easy to position. With a wide frequency response of 80 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophone, guitar cabinets and brass.

 

Audix D4

RRP$369

 

Hyper-Cardioid Dynamic Drum and Instrument Microphone

Designed, machined, assembled and tested by Audix in the USA, the D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D4 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, sax and baritone sax, trombone, acoustic bass, bass cabs and small kick drums. 

 

Audix D6

RRP$434

 

Provides huge kick drum sound with ground shaking low end while delivering exceptional clarity and attack.

Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.

 

Audix DP4a

RRP $1,166

 

4-piece Drum Mic Package

The DP4a is an excellent selection of 4 microphones that are industry standards for professional drum and percussion applications. Equally useful for studio as well as live sound, the DP4a microphones are known for clarity, sound isolation, high SPL handling, and durability.

The DP4a mic package is ideal for hand percussionists or drummers who may have a small kit or are looking to augment a larger kit. The DP4a consists of one i-5 (snare, timbale, quinto) , two-D2's (toms, cajon, congas), and one D4 (floor tom, small kick, djembe, cajon). Also included are 4 DVICE rim mount clips, one for each mic. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

THE MICS:

i5 - Snare, Quinto, Cowbell, Timbale,

The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) - Rack Toms, Congas, Cajon,

For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounded harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 - Floor Tom, Large Rack Tom, Small Kick Drum, Djembe,

The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size and performance. versatility. The D4 is characterized witha flat linear response from 40 Hz - 18 kHz making it the most versatile of all the D-series microphones.

 

Audix DP5a

RRP $1,528

 

5-piece Drum Mic Package

The DP5a, which is identical to the DP7 except for the condenser mics, is a perfect compliment of microphones for a 5 piece kit. All mics perform equally well whether it be on a live stage or in the studio.

Included in the DP5a drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, and the i5 for snare.

Also included are four D-Vice rim mount clips for every mic except the D6 kick drum mic, which comes with a heavy duty tension fit mic clip. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

THE MICS:

D6 for kick drum

The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.

i5 for snare

The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be used for a wide variety of applications and for all genres of music.

2 D2s for toms

For bringing out the real, dynamic sound of your drum toms and congas, nothing beats the D2! The D2 accurately reproduces the warmth and punch you listen for from percussion, leaving out the muddy, indistinct "boom" that can mar recording. The D2's natural warmth also makes it a great mic for saxophones and other woodwinds requiring a true, sensitive, yet big, reproduction.

D4 for floor tom

Make sure your sound's low-end has that propulsive kick! The D4 really puts that extra "oomph" in your kick drum, bass amp, and other low instruments thanks to its flat, linear response. Since this kit comes with the D6, Audix's premier kick drum mic, a good application for the D4 with this kit would be the floor tom.

 

Audix DP7

RRP $2,215

 

7-piece Drum Mic Package

The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.

Included in the DP7 drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51s for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the other three mics. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

THE MICS:

D6 - Kick Drum

The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.

i5 - Snare

The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) - Rack Toms,

For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounded harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 - Floor Tom

The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size and performance. versatility. The D4 is characterized witha flat linear response from 40 Hz - 18 kHz making it the most versatile of all the D-series microphones.

ADX51 (two) - Overheads

The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound. Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments. The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.

 

Audix Studio Elite 8

RRP$4,625
 

8-piece Studio Mic Package 

THE MICS:

i5

SCX25A (2)

D6

D2 (2)

D4

SCX1-C

Features

    * All-in-one solution for studio miking

    * Instrument-specific mics for optimal results

    * Rugged Audix quality

    * Road case

What's In The Box

    * 1-D6

    * 1-i5

    * 2-D2

    * 1-D4

    * SCX1-C

    * 2-SCX25A

 

For more info visit www.audixusa.com